長野県立美術館で学会賞をとられた宮崎浩さんにお話を聞きに行った。宮崎さんは槇事務所に穂積先生の勧めで就職浪人までして入所。一年目で電通大阪を任された。その経験は一生もの。
I went to interview with Mr. Hiroshi Miyazaki, who won the AIJ prize this year for the Nagano Prefectural Art Museum. Mr. Miyazaki entered the Maki office who was between job for years at the recommendation of Professor Hozumi. He was assigned to Dentsu Osaka project. The experience there is his treasure in his lifetime .

朝起きたら外気18度に対し、2階か23度、昨日の熱気が抜けてない。家中な窓を開けたら下がってきた。When I woke up in the morning, the outside air was 18 degrees, butting is 23 degrees on the second floor, yesterday’s heat was still there.. When I opened the windows all over the house, it came down.

浅草橋カキモリのオリジナルスケッチブック。新たに作ったB5サイズ。今日から使う。スケール入れてもけっこうはいる。
Asakusabashi Kakimori’s original sketchbook. Newly made B5 size. I will use it from today. Even if you put in a scale, you can draw many.

東北大、五十嵐さん、市川さん、4年生4名来宅。その後古澤邸へ。現代の都市住宅課題のための視察、Mr. Taro Igarashi, Mr. Ichikawa, 4 fourth graders of Tohoku univ.visited home. After that, we went to Furusawa house. Research visits for modern urban housing challenges.

連窓の家#2築20年でガルバはこうなる。棟は剥がれ、アスファルトルーフィングが見える。ミスチル桜井の実家桜井工務店が近所なのでそこに塗装してもらう。House with ribbon windows # 2 , 20 years after construction, galvalume steel roof has become like this. The ridge plate has been peeled off and asphalt roofing can be seen. Mr. Children Sakurai’s parents’ house Sakurai Komuten is in the neighborhood, so I asked him to paint the roof .

設計の仕事は工学的じゃなく、芸術的じゃない部分が多い。接客業的部分である。寒い暑い、明るい暗い、うるさい、などクライアントの気にすることを、気にできるかどうかのデリカシーがないと設計はできない。それはある程度場数だけど、配偶者は育ちでしょと言う。そうだとするといくら教育しても無駄だ。

Design work is not engineering, and there are many parts that are not artistic. It is a hospitality business. It is not possible to design without the delicacy of whether or not the client can care about things such as cold and hot, bright and dark, and noisy. It’s made out of certain number of experiences, but my spouse says it depends on how you grow up.If so it I doesn’t make sense to educate.

先日ひょんなことで小布施堂のご主人を紹介された。北斎館の館長もされているらしく北斎つながりでサントリー美術館の北斎展の宣伝をされていた。かなりいいものがあるらしい。
The other day, I was introduced to the owner of Obusedou by chance. He is also the director of the Hokusai-kan, and he seems to be somehow related to the Hokusai exhibition at the Suntory Museum of Art. He said it would exhibit something pretty good.