今書いている本は3章まできた。1章毎に担当編集者の赤が入る。一番注意されるのは指示語が多いこと。僕の文章に指示語が多いのは翻訳語調だからだ。英語は名詞に冠詞か指示語がつく。然るに日本語はつかない。想像で読み進むようにできている。確かに指示語がない方が軽快だ。

The book I’m writing now became third chapter. The red of the editor in charge enters every chapter. The most important thing the editor told me to take care is that there are too many demonstorative pronoun. The reason why there are many demonstrative pronoun words in my writing is because of the tone of translation. In English, nouns have articles or demonstratives. However, Japanese is designed to be read by imagination. Certainly, it would be light and decisive if there were no directives.

昨日みどりの窓口で三井住友カードが使えなかった。問い合わせたら、セキュリティがかって使えなくしましたがセキュリティ外しましたという。2万くらいの買い物でセキュリティかかる訳ないから何が理由か聞いたが教えてくれなかった。カードは2枚持とう。Yesterday, I couldn’t use my Sumitomo Mitsui Card at Midori no Madoguchi. When I inquired about it, it was said that it was disabled due to security, but it was removed from security. I asked what the reason was because there is no reason to take security for shopping around just 20,000, but they didn’t tell me. Take two cards.

弘前建築ツアーは市や銀行や地元の建築家が企画したもの。国の助成を受けて県外の人を招き市の観光資産をモニタリングする。僕を含めて6人の方が実験台。建築関係4人。ビジュアルインフォメーション２人。年齢は２０代から６０代まで。建築家の蟻塚さんが建築を、市の方が歴史を解説くださった。

Hirosaki architecture tours are organized by the city, banks and local architects. Invite people from outside the prefecture to monitor the tourism assets of the city with subsidies from the national government. Six people, including myself, are test subjects. 4 architects. Two visual information people. Age range from 20’s to 60’s. Mr. Arizuka, an architect, explained the architecture, and the city staff explained the history.

今回の東北番外編。奥入瀬渓流の流れと淀み、なっている林檎の赤、名和晃平の表皮の生成、古い家のモダンな家具屋
Tohoku journey extra edition. Flow and stagnation of the Oirase stream, red apples, Kohei Nawa’s skin formation, modern furniture store in an old house

八戸美術館はメルクリを5倍に引き伸ばしたような断面形のジャイアントルームがラーニングを主題にした全く新しいビルディングタイプを生み出している。The Hachinohe Museum of Art creates a completely new building type with learning as its theme, with a cross-sectional giant room that looks like a five-fold extension of the Mercurial Museum.