伊香賀さんが監修した本をもらった。仙台駅で刺身定食食べながら読んだ。二つのことが大事。1)家を暖かくしろ、わが家は心配ない。2)インプットよりアウトプット,これも平気だな。本は読むより書く、音楽は聞くより弾く、料理は食べるより作る、なるべく実行中。I received a book supervised by Mr. Ikaga. I read it while eating a sashimi set meal at Sendai station. Two things are important. 1) Keep the house warm, my house won’t worry. 2) Output rather than input, this is also fine. I write books rather than read them, play music rather than listen to them, cook food rather than eat it, and do it as much as possible.

東北大環境建築スタジオwith 伊香賀さん。４年、院生混合7チーム。デベロップしたチームもあり。残り1カ月。サスティナビリティを考えるのは税金。Tohoku University Environmental Architecture Studio with Mr. Ikaga. 4th year, graduate students mixed 7 teams. There are some teams that developed it. 1 month left.Thinking sustainability is tax.

切符事件で弁当買えず、仙台駅でランチをさがすがどこも列。諦めて並ぶ。1時の授業に間に合いますようにI couldn’t buy a bento due to the ticket incident, so I searched for lunch at Sendai Station, but there was a line everywhere. Give up and line up. I hope I can be on time for the 1 o’clock class.

この本は中公新書売り上げで、1カ月くらいずっと1位と言う歴史的ベストセラーらしい。言語の音と意味に必然はないけどオノマトペには類似性がある、オノマトペ研究者の数十年の成果がわかりやすく解説される。
建築も形と機能に必然はないけど、類似性があればオノマトペ建築になる。This book seems to be a historical bestseller, ranking first in Chuko Shinsho sales for about a month. The sounds and meanings of languages ​​are not inevitable, but there are similarities in onomatopoeia.
There is no inevitable form and function in architecture, but if there is a similarity, it becomes an onomatopoeia architecture.

新幹線eチケット紐付けたviewカードを入れた財布を忘れた。ネットに送られてきたデータで紙チケット出してもらったのが発車２分前。走って走って乗れたあああ。今日はキャシュレス、カードレスの1日。
I left at home my wallet with the view card linked to the Shinkansen e-ticket. It was 2 minutes before departure that I had a paper ticket issued with the data sent to the net. I was able to run, run, and ride. Cashless, cardless day today.

加藤耕一さんが学生時代読んで目から鱗だったというので目を通してみよう。モダニズムを批判するポストモダンもデコンも結局構築だと批判したかったとあとがきに書いてあるが、はたして彼の建築は構築ではないのか？
Mr. Koichi Kato read it when he was a student and it was the eye-opener experience. So let’s read it. In the postscript, he wrote that he wanted to criticize both postmodernism and Decon, which criticize modernism, as construction, but isn’t his architecture really construction?

拙著は安いのでカバーは無い。表紙の紙も薄いので一度開くと開き癖がつく。やばいね。@六本木TSUTAYA。
My book is cheap, so there is no cover. The front page paper is also thin, so once you open it, it doesn’t become as before. @ Roppongi TSUTAYA.

この野草の色味は好み。I like the color of these wild grasses.