増田家

目的地なく朝散歩していたら増田君の処女作に出くわした。建築技術４月号に増田•大坪のギャラ間での展覧会評を書いた。彼らの作るものは、作るものそれ自体の強度より、むしろ作るものと既存との関係の強度が際立つと言うもの。これを見たらやはりそうだと思った。配偶者はそれ自体も強度があると言っていた。

When I took a walk in the morning without a destination, I came across Masuda’s first work. I wrote a review of the exhibition of Masuda and Otsubo at gallery MA in the April issue of Architectural Technology. The intensity of works lies in the relationship between what they made and the existing rather than what they made itself. When I saw this, I knew it was true. But the spouse said it had strength in itself too.