ジレンマ

会田誠は大学院時代に手足を切断した少女に首輪をつけた日本画のようなアクリル画を「犬」と題して描き物議を醸した。その後の会田の人生を決定づけた「犬」に込められた思いを読んで、僕は自分の建築への考えと重複するところが多いのに驚いた。曰く自らの表現はジレンマであると。それは小林秀雄のいう「世に一つとして簡単に片付く問題はない」に通ずると言う。そして一つの方向に素直に進む表現「ひたすら進む系」は自分のやりたいこととは違うという。僕の建築への思いも同じで建築もジレンマなのである。何か一つの方向（芸術性でも社会性でもなんでもいいのだが）にひたすら進む気にはなれないのである。Makoto Aida created a controversial acrylic painting, which looks Japanese painting, with a collar attached to a girl who had amputated limbs during graduate school, entitled “Dog.” When I read the thoughts put into the “dog” that determined Aida’s life after that, I was surprised that there were many overlaps with my own thoughts on architecture. He says that his expression is a dilemma. It leads to Hideo Kobayashi’s “There is no problem that you can easily clear up in the world.” And the expression “a system that goes straight forward” is different from what I want to do. My thoughts on architecture are the same, and architecture is a dilemma.I don’t feel like going in one direction (artistic or social).