ギターは生きている

ギターの先生に「ギターが生きてると感じることはないでしょうか」と質問した。擬人化の話。生き物を機械のように分析する擬物化の逆だ。ギターの先生はギターは機械と割り切っていたが、僕はヴァイオリンに感情移入して生き物と感じることはよくあった。ヴェルフリンの建築心理学は建築擬人化だ。
今西錦司は生き物も物も起源は同じだから全ては類縁関係にある。ただし距離が違うと言う。僕はこの距離図を作ってみようと思う。建築やギターはかなり人間に近いはず。
I asked my guitar teacher, “Do you ever feel like the guitar is alive?” A story about anthropomorphism. This is the opposite of objectification, which analyzes living things as if they were machines. My guitar teacher treated the guitar as a machine, but I often empathized with the violin and felt it was a living thing. Wölflin’s architectural psychology is architecture personified.
Kinji Imanishi believes that all living things and things have the same origin, so they are all related. However, the distance is different. I’m thinking of making this distance map. Architecture and guitars must be quite similar to humans.