Taku Sakaushi

カジュアルなオリンピックはLAならできる

一時帰国中の Van Hongoさんのコレクションにマルタを連れてきた。建築とファッションの間を考えている3人。I brought Marta to Van Van Hongo’s collection while she was temporarily back in Japan. Three people who are thinking between architecture and fashion.

言葉が先か物が先か

展覧会ポスターは一柳くんデザインに決定。彼は日大田所研から大学院で坂牛研に来たM2。映画好きで、このポスターもいくつかの映画制作理論で作られていると説明してくれた。真ん中の人間は私のシルエットを加工したもの。姿勢が悪いのがよくわかる。右のボヤけた像は運動と風景外観の一部。
It was decided to use Mr. Ichiyanagi’s design for the exhibition poster. He is an M2 who came to Sakaushi Lab as a graduate student from Tadokoro Lab, Nihon University, and is a film buff. He explained the shooting method to use for making this poster . The person in the middle is my silhouette. You can see my bad posture. The blurry image on the right is part of the movement and scenery appearance.

マルタワークショップスタート。一年生からM2まで5-6人で１チーム。こういう構成は単位を前提としたスタジオだと有り得ないけど、自主参加だとなんでもありで楽しい。Malta workshop started. One team consists of 5-6 people from 1st grade to M2. This kind of structure would be impossible in a studio based on units, but if you participate voluntarily, anything goes and it’s fun.

J IAマガジン今月の住宅は青柳創さん綾夏さんの自邸。物語のない家というテーマがとてもよくわかる物と間のピュアな世界でした。お二人は偶然、篠原研の先輩、鵜沢さんの研究室だったということで、なんとなく懐かしい。編集後記書くのすっかり忘れてた。早起きしてさっき送り校了。J IA Magazine This month’s house is Hajime Aoyagi’s Ayaka’s own residence. It was a pure world of objects and space, which very much illustrates the theme of a house without a story. The two happened to be in the laboratory of Mr. Uzawa, a senior member of the Shinohara Lab, which made me nostalgic somehow. I completely forgot to write the post-editorial note. I woke up early and sent it in just now, and completion.

教え子にもらったミナの超小さい手さげに携帯と鍵入れてジム行きます。I go to the gym with my cell phone and keys in Mina’s super small handbag that my student gave me.

何も今日やらなくてもと思ったけど意を決してトネリコとユーカリを剪定。今年一番汗かいた。I thought I didn’t have to do it today, but I took the plunge and pruned the ash and eucalyptus. I was the sweatiest this year.