配偶者の旧姓は大籐（だいとう）で元を辿れば藤原だとか。1300年とも言われる藤原家の長寿命の理由は戦争しないで天皇を懐柔したからだとものの本で読んだ。配偶者にはその才がある。My spouse’s maiden name was Daito, which can be traced back to Fujiwara. I read in a book that the reason for the Fujiwara family’s longevity, which is said to be 1,300 years, is because they placated the Emperor without going to war. My spouse has that talent.
最近の素敵なコンペを10個選んでその、要項、グラフィック、パブリックリレーション、そして最終ヒアリング案と比べた最優秀案の最優秀たる所以を分析した本を４人で作っている。私の役は最優秀たる所以分析と最終ヒアリングに残った案全てにコメントをつけること。審査員でもないのに全部で59個の案を読み込み的確なコメントをするのは、独自論考を書くより遥に手間である。間違わないように読み込んでどれもに客観的な価値を見出さななければならない。でもとりあえず終わった。ああああ疲れた。The four of us are creating a book in which we select 10 recent wonderful competitions and analyze their requirements, graphics, public relations, and why the best proposal was the best when compared to the final hearing proposals. My role is to analyze why the proposal was the best and to comment on all the proposals that remained at the final hearing. Reading a total of 59 proposals and making accurate comments even though I am not a judge is far more time-consuming than writing an original essay. I have to read it carefully and find objective value in everything so as not to make mistakes. But it’s over for now. Ahhh I’m tired.
書の世界は師のスタイルを継承する責がある。かつ自己を加えなければならないから大変だ。建築は師がいてもスタイルは継承すべきものというより乗り越えるもの。だから建築は自由に映るらしく配偶者に羨ましがられる。しかし自由ほど不自由なものはない。これはこれで大変なんだ。
The world of calligraphy is responsible for inheriting the style of the master. In addition it’s difficult because you have to add yourself. Even if architecture has a mentor, style is something to be overcome rather than something to be inherited. Therefore, architecture seems to reflect freedom and is envied by my spouse. But there is nothing less free than freedom. This is so difficult.
片桐さんのロッシ論読んでロッシと篠原一男の共通点がとてもたくさん見えてきて驚く。１）幾何学の偏愛、２）類推という発想法、３）歴史の活用、違うのはロッシほど篠原は政治的ではないことぐらいだろうか？とても面白かった。難しかったけれど。
After reading Mr. Katagiri’s theory on Rossi, I was surprised to see so many similarities between Rossi and Kazuo Shinohara. 1) Predilection for geometry, 2) Analogy as a way of thinking, and 3) Utilization of history.The only difference is that Shinohara is less political than Rossi. It was very interesting. Although it was difficult.
5月24日に青山のconsenting cityという場所でお話しします。長持ちする建築は何かという問いをもらっているのですが、それはしみじみと感じ入る建築だろうと思います。建築以外のものも皆同じです。飽きたら捨てたくなるようなものと、ずっと持っていたくなる、捨てたくないものの差はそこに気持ちが入っていけるかどうかですよね。
I will be giving a talk on May 24th at a place called Consenting City in Aoyama. I’ve been asked what kind of architecture is long-lasting, and I think it’s architecture that you can deeply feel. The same goes for everything other than architecture. The difference between something that you want to throw away when you get tired of it, and something that you want to keep forever and don’t want to throw away is whether you can put your heart into it
https://www.cosentino.com/ja-jp/professional/cosentino-city/tokyo/
You must be logged in to post a comment.