Taku Sakaushi

早稲田芸術学校で日本建築文化論半期講義。52号館の名教室最初の講義。みなさん熱心。Semi-annual lecture on Japanese architecture and culture at Waseda Art School. The first lecture in the famous classroom in Building No. 52. Everyone is enthusiastic.

柏村さん、駒田由香さんに招かれ芸大二年生の集住課題ゲストクリティク。密度濃いね。エスキスチェックが4回しか無いのに模型が10個くらいずつある。図面は少し淡白だけど。
Invited by Ms. Kashiwamura and Ms. Yuka Komada, guest critics for the housing assignment of second-year students at the University of the Arts. It’s dense. There are only 4 Esquisses checks, but there are about 10 models each. The drawing is a little bland though.

グリンバーグはアヴァンギャルド芸術それ自体に興味があったのではなく、その鑑賞者という下部構造に興味があり、その結果彼の傑作「アヴァンギャルドとキッチュ」において自らがリードするアヴァンギャルドではなくむしろ批判すべきキッチュの将来性を肯定せざるを得なくなるのである。建築も全く同じことが起こったわけである。やっぱり建築も上部構造でしかないのだろう。Greenberg was not interested in avant-garde art per se, but in the substructure of its viewers, and as a result, in his masterpiece Avant-garde and Kitsch, the avant-garde he should be criticized rather than the avant-garde he leads. We have no choice but to affirm the future potential of The same thing that happened with architecture. After all, architecture is only a superstructure.

平田と高野が徹夜して現場は写真撮影可能な状態に。7時半に軽井沢トンネルを撮ってくれた山森さん到着。今日撮って今日入稿という離れ技。みなさんご苦労様。
Hirata and Takano stay up all night and the site is ready for photography. Mr. Yamamori, who took the Karuizawa Tunnel at 7:30, arrived. A feat of shooting today and submitting today. Thank you all for your hard work.

三年生の製図。一切CADを使わないで大判トレペで7人がかりで6ヘクタールの敷地を1/200で描かせる。講評会も手書き。、
Design studio of a third grader. Without using CAD at all, 7 people drew a 6-hectare site at 1/200 using a large tracing paper. At the final review session we will present also handwritten board.

撮影のため前泊したペンションの入り口のドーリックオーダーがよくできている。The Doric order at the entrance of the pension where I stayed the night before for shooting is well done.

現場に行く日は雨　It rains whenever I go to the construction site