歴史
未来派はトリノの歴史性を基盤にその後進性を改革しようとする意思が歴史と交差して生まれたエネルギーであると言う多木浩二の解説にハッとした。これまで自分は建築家として歴史をどう捉えるべきかと考えていたが、どうも歴史とはそんなものでは無い。歴史とはわれわれが操れるものではなく、われわれに侵入してきて我々を操っているものなのでは無いのか？そう考えた方がいろいろ納得がいくように思う。
I was surprised convinced by Koji Taki’s commentary that the Futurism was the energy created by the crossing between intentions to reform the backwardness based on the historical nature of Turin and that history. Until now, I as an architect have been wondering how to treat with history, but history is not that kind of thing. Isn’t history something we can’t control, but something that invades us and controls us? It makes more sense to think that way.
未来派
未来派がキュビズムと異なるのは未来派が政治的だったこと。マリネッティは帝国主義者であり、ムッソリーニに擦り寄った。そんな未来派の発生経緯は、19世紀イタリアの後進性が社会改革と芸術を融合した結果と多木は言う。未来派のまとまった解説書はあまり無いがこの本は秀逸。息子がイタリアにいるから史料渉猟も容易だったのだろう。
What makes Futurism different from Cubism is that Futurism was political. Marinetti was an imperialist and sneaked into Mussolini. Taki says that the origin of such Futurism is the result of the fusion of social reform and art by the backwardness of Italy in the 19th century. There aren’t many futurist manuals, but this book is excellent. Since his son is in Italy, it may have been easy to hunt historical materials.
Sky frame
リクシルがスイスから細くて大きなサッシをガラスごと輸入販売はじめた。タッパ3.5mのトリプルガラスのコーナーが開くのは驚き。値段は平米50万くらい。
Lixil has begun importing and selling thin, large sashes from Switzerland, along with glass. It’s amazing that the triple glass corner with 3.5m height opens. The price is about 500,000 yen per square meters.
危ない
最近地下の床に書の作品が置いてあり踏みそうになる。配偶者曰く。玄関脇の穴から覗き全体感を掴むためだそうだが危なっかしい。
Recently, there is a work of calligraphy on the basement floor and I am afraid that I step on it. My spouse says. It seems that it is to get a sense of the whole by peeking through the hole on the side of the entrance, but it is dangerous.
Zoom
山中湖の別荘の仕事はインテリアデザイナーと構造デザイナーは僕の信州大学の教え子で2人とも京都にいる。zoomで施主打ち合わせに参加してもらった。こんなやり方はコロナ前なら考えられなかったが今ではデフォルトである。その昔ドバイの施主の仕事でエンジニアはアロプで構造はイギリス、ファサードは香港、エレベーター、防災はまた別の国いたことがありちょっと大変だなと思ったが、今ではそれは普通のことになった。
In the work of the villa in Lake Yamanaka I work with an interior designer and a structural designer who used to be my students at Shinshu University, both of whom are in Kyoto. I had them participate in the client meeting with zoom. This wasn’t possible before Corona, but it’s now the default. A long time ago, in the work of the owner of Dubai, the engineer was Arup, the structural designer was in England, the façade engineer was in Hong Kong, the elevator, disaster prevention engineer was in another country, so I thought it was a bit difficult, but now it is normal .
You must be logged in to post a comment.